I felt reading this time to have more sympathy for Charles (and Berthe, who pays the highest price in the end). It’s no crime to be mediocre. Actually, that’s a strength of the novel and Vargas Llosa in The Perpetual Orgy, a book of essays on his favorite novel contends that this is the first modern novel because it centers on the ordinary in a way that other novels hadn’t. Other novels dealt with ordinary characters and circumstances but always made them heroic is some way. Flaubert didn’t. Ironically, that is what annoyed me most about Emma. She was so ordinary, so overly appraised by her husband and in different ways her lovers, even Rodolph overestimates her in the beginning. I saw her like Daisy Buchanan, a pretty, but empty vessel.
Flaubert wrote a lot about the ordinary in his letters. He wrote to his lover that “Beautiful subjects make mediocre works” and “It is not in fact great misfortunes that are to be feared in life, but minor ones. I am more afraid of pinpricks than of saber blows. . . . we have no need of continual acts of devotion and sacrifices, yet constantly need from others at least the outward signs of friendship and affection, in a word, kind attentions and politeness.”
But I want to say to him, Emma’s problem was living in a society that preferred appearances and her own desire for a sophisticated life that really existed only in her dreams.
Actually, a lot was in my head as I read the book this time. I was in my early twenties the first time I read it and aside from the good style and character descriptions, I didn’t get that much out of it. I just hadn’t lived that long and I don’t think I really had any life experience that informed my reading.
Then I read it again with a book group at a Barnes and Noble. I recall our discussion as centering around the humor in the book and one guy quipped that Madame Bovary shows that reading can be detrimental. We forget how people looked down on reading novels the first century or two they were around.
This reading I still appreciated how funny parts were and how well Flaubert writes, but it wasn’t as easy to read, I had to think more about the themes and Emma and the author’s aim and I’m still mulling all this over.
Then there’s the predatory lender Lheureux, who basically bundled Emma’s loans adding to her financial troubles. Talk about timely. It’s interesting that money and love go so hand in hand in Madame Bovary.
I was harder on Emma than I had been before because now I’ve known people who’ve lived through infidelity and I’ve seen the pain it causes. I can’t trivialize it. I wanted to tell Emma, “Okay, your life isn’t what you dreamed, but nothing is. Thank God, you’re not begging in the street or stricken with a disease.”
I do think she needed community. She had no one in her corner who’d also be real with her. In part, she didn’t seem to seek that out. Was life like that in small town France? The Bovary’s didn’t live on a prairie miles and miles from neighbors. I do feel I need to know more about the culture of the day before I judge her, but she really isn’t sympathetic or heroic. I suppose as Vargas Llosa points out she’s the first anti-hero.
I wonder about Flaubert. He had a long time affair, and a few trysts, biographers now think. Emma takes a lot of people down with her and this seems so at odds with his living. I know it’s not the first time for such a tension within a person and I actually think it may be essential to having an affair, this kind of double life.
Finally, Vargas Llosa makes some interesting points about beauty and violence. He points out that there’s a lot of violence in the book, not just Emma’s suicide but the disastrous surgery, the spiritual violence of Lheureux preying on the Bovary’s “down to their last sou,” the derogatory murmuring criticizing Catherine at the agricultural fair for donating her winnings to the church when she desperately needed money, all the prejudices, envy, and intrigue presented in the book. Vargas Llosa says he really doesn’t like stories that don’t contain violence; they don’t come across as real to him. What do you think? Do you agree?
Junichiro Tanizaki’s Diary of a Mad Old Man is just what the title says. Well, he’s not completely mad. The main character is an old man obsessed with his daughter in law, a former cabaret singer, whose husband’s grown tired of her. 
OmoresOtempora
smkelly8
Xingu, Volume 2 
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