Next on Prager U’s Book Club, Brave New World. I’ve ordered it from the library so I can reread it.
Next on Prager U’s Book Club, Brave New World. I’ve ordered it from the library so I can reread it.
The second book in C.S. Lewis’ Space Trilogy, Perelandra chronicles Edwin Ransom’s journey to Venus, a.k.a. Perelandra. Ransom settled back into life in Cambridge after his trip to Mars. Suddenly, Oyarsa (God) calls on Ransom to go to Perelandra. Excited for more space travel, Ransom accepts the mission.
After his trip in a ship that’s like a frozen coffin. Ransom’s told to travel in the nude and that clothes aren’t needed on Perelandra, a planet with land that moves like waves and the flora is a wide range of vivid colors. I can’t do Lewis’ descriptions justice.
Ransom soon meets the green-skinned Queen, one of the planets two inhabitants. The Queen has the innocence of a child because on the new planet she is one. Perelandra is like Eden with its sole pair of inhabitants, its sole prohibition, i.e. “Don’t sleep on the ‘Fixed Lands'” and its serpent, i.e Weston, Ransom’s nemesis who plays the serpent in this tale.
Maelidil is the creator who teaches the Queen all about life, but he disappears once Ransom arrives. The Queen also never sees the King and the story’s almost over by the time Ransom finds him.
Most stories feature a young, strong hero who lacks wisdom, which he acquires by the end. Here our hero is educated and wise, but lacks the usual brawn. Ransom battles Weston with wits trying to prevent Perelandra’s Fall, but he realizes that one day Weston will wear the Queen down. He figures out that he must beat Weston physically. Thus Lewis takes gives us a middle aged scholar as a hero who must win by a great physical test. How original!
I found the story compelling and clever. Lewis gives us a setting similar to Eden, but not quite. We may expect a certain outcome, but Lewis shows us that things could have been different. Perelandra was a fun read that made me think.
Theme Thursdays is a fun weekly event that will be open from one Thursday to the next. Anyone can participate in it. The rules are simple:
This will give us a wonderful opportunity to explore and understand different writing styles and descriptive approaches adopted by authors.
The theme for this week is MIRROR Glasses, Spectacles, etc.
My THURSDAY THEME for MIRROR is below.
She got up and walked over to the mirrored door of the closet. . . . From the mirror to me: a sharp, mocking triangle of eyebrows, lifted slightly, to her eyebrows.
From WE by Yevgeny Zamyatin, p. 196
Teaser Tuesdays is a weekly bookish meme, hosted by MizB of Should Be Reading. Anyone can play along! Just do the following:
• Grab your current read
• Open to a random page
• Share two (2) “teaser” sentences from somewhere on that page
• BE CAREFUL NOT TO INCLUDE SPOILERS! (You don’t want to ruin the book for others.)
• Share the title & author, too, so that other TT participants can add the book to their TBR Lists if they like your teasers!
Here’s mine:
From Michael Chabon‘s Maps & Legends:
A third innovative stroke of Conan Doyle‘s was to find a new way to play the oldest trick in the book, to revise the original pretense of all adventurers, liars, and storytellers–that every word you are about to hear is true.
Holmes was not only aware of his status as a subject of Watson’s “chronicles,” he resented it, and mocked it, even as he profited by the fictional version of the very real success that the stories enjoyed . . . .
From We by Yevgeny Zamyatin
It’s 21:30. The blinds are lowered in the room to the left of mine. In the room on the right, I see my neighbor: bent over a book, his bald patch, knobbly with hummocks, and his forehead, a huge, yellow parabola.
Dramatic and creative, Octavia Butler‘s Kindred pulled me in from the beginning. A post on Butler’s birthday on The Writer’s Almanac intrigued me. I’d never known of any African American sci fi writers. Science fiction isn’t a favorite of mine but I became curious.
Kindred is a time travel tale centered on Dana and her husband Kevin who get pulled out of 1976 to antebellum Maryland. At the beginning of the story, when Dana’s ancestor Rufus is in danger of drowning as a boy somehow Dana gets pulled into the past to save him for the first time. Imagine a black modern woman saving and eventually having to live on a plantation owned by her white ancestors. Dana’s permitted to work in the cookhouse and works teaching Rufus to read, but she’s not exempt from the horrors of slavery. The the story realizes all the potential for drama and insight that the premise promises.
The book isn’t heavy on the time travel and that’s to its credit. Dana and her Caucasian husband’s trips back in time allow readers to consider the injustice and cruelty of slavery afresh. The power of this novel is the characters and its veracity. I’d definitely read more of Butler’s work. I liked her style, her characters and the surprising ending, which emphasized that no one flees a culture of slavery unscathed.
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