In Flanders Fields
By Wilfred Owen
It seemed that out of battle I escaped
Down some profound dull tunnel, long since scooped
Through granites which titanic wars had groined.
Yet also there encumbered sleepers groaned,
Too fast in thought or death to be bestirred.
Then, as I probed them, one sprang up, and stared
With piteous recognition in fixed eyes,
Lifting distressful hands, as if to bless.
And by his smile, I knew that sullen hall,—
By his dead smile I knew we stood in Hell.
With a thousand fears that vision’s face was grained;
Yet no blood reached there from the upper ground,
And no guns thumped, or down the flues made moan.
‘Strange friend,’ I said, ‘here is no cause to mourn.’
‘None,’ said that other, ‘save the undone years,
The hopelessness. Whatever hope is yours,
Was my life also; I went hunting wild
After the wildest beauty in the world,
Which lies not calm in eyes, or braided hair,
But mocks the steady running of the hour,
And if it grieves, grieves richlier than here.
For by my glee might many men have laughed,
And of my weeping something had been left,
Which must die now. I mean the truth untold,
The pity of war, the pity war distilled.
Now men will go content with what we spoiled.
Or, discontent, boil bloody, and be spilled.
They will be swift with swiftness of the tigress.
None will break ranks, though nations trek from progress.
Courage was mine, and I had mystery;
Wisdom was mine, and I had mastery:
To miss the march of this retreating world
Into vain citadels that are not walled.
Then, when much blood had clogged their chariot-wheels,
I would go up and wash them from sweet wells,
Even with truths that lie too deep for taint.
I would have poured my spirit without stint
But not through wounds; not on the cess of war.
Foreheads of men have bled where no wounds were.
‘I am the enemy you killed, my friend.
I knew you in this dark: for so you frowned
Yesterday through me as you jabbed and killed.
I parried; but my hands were loath and cold.
Let us sleep now. . . .’
‘Strange Meeting’ was written in early 1918.
The Radium Girls by Kate Moore tells the story of the young women who worked in factories painting iridescent numbers on watch and clock dials. In New Jersey and Illinois after WWI, girls were hired to use paint made with radium to make the dials glow in the dark. The technique they were required to use was to lick the tip of the brush, dip it in the paint and paint the numbers. Then they were to repeat. No step to clean the brush.
At the time radium was believed to be an ultra-healthy substance. No safety precautions were taken.
These girls were proud to earn good wages and had a good lifestyle. Proud of their work, when they would go out dancing, they would take the radium dust rub it on their eyelids and skin, which made them glow.
As you can imagine, the women started to get ill. One woman had awful jaw pain, and when she went to the dentist her jaw fell out, which was the first of many ailments that inflicted her and her colleagues. One after another, the girls began to experience horrific health issues. The radium would attack their bones. Others, as you’d guess, got rare, devastating cancers.
The girls began to take legal action and the two radium companies fought them tooth and nail. The story soon turns to one of courage and tenacity as these women fight for their lives and fight for justice in the courts against two Goliath companies.
In many ways the story is hard to take, but because these women banded together and had great resilience and remained strong in spirit and clung to hope, The Radium Girls was not a depressing story. My only critique is that the author’s scope covering two factories which weren’t that connected, made the book confusing at times. Yet I understand her desire to tell the full story. I think it would have been better if Moore had focused on fewer girls and added an epilogue about the others. I highly recommend reading The Radium Girls.