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From the Writer’s Almanac

An illustration by W. W. Denslow from The Wond...

An illustration by W. W. Denslow from The Wonderful Wizard of Oz, also known as The Wizard of Oz, a 1900 children’s novel by L. Frank Baum. (Photo credit: Wikipedia)

It’s the birthday of the man who wrote The Wizard of Oz: Lyman Frank Baum, born in Chittenango, New York (1856). His father was a rich oil tycoon, and the family lived at an idyllic country home in upstate New York. He was a shy and absent-minded child, and his parents sent him to military school to instill some discipline in him. Frank had a heart condition his entire life and was never able to exert himself physically. He had a heart attack at school and returned home, where he turned his creativity toward writing and publishing. When he was 15 years old, his father bought him a small printing press for his birthday, and he and his brother Harry started a newspaper called The Rose Lawn Home Journal. Frank was also interested in raising Hamburg chickens, and he published a magazine called The Poultry Record. His first book was published in 1886 and was called The Book of Hamburgs, A Brief Treatise upon the Mating, Rearing, and Management of Different Varieties of Hamburgs.

He wrote a couple of plays and toured around the country before settling down in Aberdeen, South Dakota. He ran a general store that he called “Baum’s Bazaar,” where, with a cigar constantly dangling from his mouth, he liked to entertain children by telling them fairy tales and giving them candy as they gathered around on the dusty, wooden sidewalk. In 1897, he published his collection of Mother Goose stories, Mother Goose in Prose. Two years later he met the illustrator William Denslow, and the pair published Father Goose, His Book (1899), a huge success. Baum made so much money from Father Goose that he was able to buy a summer home in Macatawa Park, Michigan, where he built all of the furniture by hand.

In 1900, Baum wrote the book that made him famous, The Wizard of Oz, illustrated by Denslow. The book began as a story he told to some neighborhood children; Frank thought it was so good that he stopped in the middle of the story to go start writing it down. The story of Dorothy, her dog Toto, the Scarecrow, the Lion, and the Tin Man was an instant classic.

Frank Baum wrote, “No matter how dreary and gray our homes are, we people of flesh and blood would rather live there than in any other country, be it ever so beautiful. There is no place like home.”

And, “I am convinced that the only people worthy of consideration in this world are the unusual ones.”

 
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Posted by on May 15, 2013 in Writers' Almanac

 

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A Dance to the Music of Time: The First Movement (66% of It)

Garrison Keillor‘s Writer’s Almanac mentioned Anthony Powell‘s A Dance to the Music of Time in December and I was intrigued. How could I pass up a book Evelyn Waugh compared to Proust‘s In Search of Lost Time? Waugh says Powell’s 12 volume masterpiece is “dry, cool, humorous, elablorately and accurately constructed and quintessentially English. It is more realistic than A Recherche du Temps Perdu, [trans. In Search of Lost Time], to which it is often compared and much funnier.”

So far I’ve read the first two novels, A Question of Upbringing and A Buyer’s Market. Set in the 1920s, A Question of Upbringing introduces readers to Nicholas Jenkins, the narrator. He’s attending boarding school with the churlish, bothersome Kenneth Widmerpool, and the “cooler kids” Stringman and Templer, with whom he hangs out conniving pranks, and sharing a jaded view of their teachers and peers. After graduation, Jenkins is sent to France for six weeks to polish his language skills and whom should he run into but Widmerpool. Finally, the novel concludes with Jenkins at university attending a tea at a unctuous social climbing professor’s rooms. Here he meets Mark Members, JG Quiggin, Bill Truscott, who’re sure to factor into the rest of the story. I was surprised at how little time university would play in a 12 volume work.

Here’s a sample insight:

Human relationships flourish and decay, quickly and silently, so that those concerned scarcely know how brittle, or how inflexible, the ties that bind them have become.” (A Question of Upbringing, p. 229)

In A Buyer’s Market, Jenkins has finished his education and is living in London. Though work is the topic of many conversations and status is determined by one’s employment to a degree, the emphasis is on debutante balls, loves and faux loves, and friendships that are ill-advised, dead, or comatose.

The strength of these novels isn’t what happens, but how Jenkins thinks about events, relationships, and perceptions. That’s where the power and the humor come into play. The descriptions are trenchant and witty. As I read them, I envy Powell’s talent and skill. Ah, to write so well.

The book does center on the upper crust of England and that’s not everyone’s cup of Earl Grey, but if you like Downton Abbey, I think you’ll like this.

 
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Posted by on January 29, 2012 in British Lit, classic, contemporary

 

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