Bambi vs. Godzilla

recommended

I enjoy books that go behind the scenes of Hollywood and explain show business and David Mamet’s Bambi vs. Godzilla: On the Nature, Purpose, and Practice of the Movie Business. does that beautifully. Writer, director Mamet, as you’d expect, provides trenchant on a variety of movie making topics including auditions, producers, corruption, writing for women. 

Like William Goldman’s Adventures in the Screen Trade, this book should be required for reading for anyone interested in working in Hollywood. Not only do you get information, and stories of experiences, but you get Mamet’s wisdom. 

 

Chicago

I enjoyed the audio book of David Mamet’s novel Chicago. Narrator Jim Fragione, captures the Chicago dialect and Mamet’s rhythm.

I expected a historical novel about Al Capone or some other well known criminal figure, but that wasn’t what Mamet had in mind. Set in post-WWI Chicago, jaded reporter Mike Hodge love a young Irish girl is viciously murdered and Mike seeks justice. Did her family do it? Or someone more nefarious? Capone, the Levee District and WWI figure prominently in the novel, but Hodge and the life of a reporter in the 1920s takes center stage.

The plot isn’t the book’s strong suit. That would be a tie between the references to Chicago’s red light district and criminal element and Mamet’s trademark philosophizing in a Chicago dialect. That’s what made the audio book soar.

 

The Secret Knowledge

David Mamet shares his journey from liberal to conservative and offers his understanding of his past beliefs and the strengths of his more traditional views in The Secret Knowledge. The book is well written and Mamet offers insights that never occurred to me. I think it’s good practice to taken in insights from a wide variety of perspectives and with that in mind, I got a lot out of The Secret Knowledge. 

If you’ve seen or read, Mamet’s plays, you won’t be surprised by his forceful writing. He packs a punch, which is probably why he likes boxing.

Published in 2014, Mamet doesn’t comment on the Trump Presidency, but he does examine the 60s, 70s, and on up to 2012. He is well read and thoughtful.

 

 

 

Speed the Plow

Another David Mamet play seemed a fitting read as I’m currently taking his MasterClass online. I’d seen Speed the Plow performed  at the Remains Theater in 1987, with William Peterson in the lead.

The play is a satire of show business. Charlie Fox brings a movie deal consisting of a hot star and a blockbuster-type script to his long time buddy, Bobby Gould, who’s career is on fire since he’s gotten a promotion. He’s got till 10 am the next morning to get a producer to agree to make it. So he trusts his pal to make the deal, which will earn them boat-loads of money.

They talk about the business and their careers.  They dream of what they’ll do after this life-changing film is released. In the background a temp secretary bungles along with the phone system. Eventually, she comes into the office and winds up having to read a far-fetched novel as a “courtesy read” meaning she’s to write a summary of a book that’s not going to be adapted to film.

After she leaves the office, the men make a bet, a bet that Bobby Gould, whom Karen is working for, will succeed in seducing her. Karen’s not in on this but she agrees to go to Gould’s house to discuss the book she’s to summarize.

Karen finds the book about the end of the world life-changing. Like many 20-something’s She’s swept up by its message. What’s worse, when she goes to Gould’s house she convinces him to make the crazy book into a film and to leave his pal in the dust. The book and play are brisk and, as you’d expect, contain rapid-fire dialog. I enjoyed this book, but can see how some would find problems with Mamet’s portrayal of women. I think he portrays Hollywood quite realistically.

 

November

Since I’m taking the MasterClass David Mamet teaches I thought I’d read some of his plays. This week I got his play November (2008) which is about an American president Charles Smith who’s up for re-election with no funds for campaigning. He’s been cut off by his party. He’s getting no help from his speech writer either. He has one person who’s still advising him, Archer.

Archer provides a reality check (if we can call information on the absurdity of how DC works reality) for the President. Smith would like to strong arm his opponents and betrayers as they cut off his funds or call in sick.

A main plotline here is the President’s traditional pardon of a turkey before Thanksgiving. According to the play, the turkey farmers’ association gives the president a stipend, a hefty stipend for the pardon. Now Smith strives to up the amount by threatening to have his speechwriter convince the public that it’s not PC to eat turkey.

The play moves quickly and has a robust humor, colored with profanity, as you’d expect from Mamet. The story is outlandish and now a bit dated because we’ve resolved some of the issues it tackles. I wouldn’t say this is a must read or that the play’s a must see. It does exemplify Mamet’s rules for writing, e.g. don’t bore the audience with exposition and start in medias res.