At Frank Lloyd Wright’s home.
Category Archives: rare books
1. Each week, we’ll provide a theme for creative inspiration. You take photographs based on your interpretation of the theme, and post them on your blog (a new post!) anytime before the following Wednesday when the next photo theme will be announced.
2. To make it easy for others to check out your photos, title your blog post “Weekly Photo Challenge: (theme of the week)” and be sure to use the “postaday″ tag.
3. Follow The Daily Post so that you don’t miss out on weekly challenge announcements, and subscribe to our newsletter – we’ll highlight great posts. Add Media photos from each month’s most popular challenge.
Just a few wonderful posts:
- Silent (daily post)
- Silent (the snow melts)
- Silent (nomad online)
- Silent (street photography collages)
- Silent (words like honey)
- Silent (jinan daily photo)
- Silent (here and abroad)
- Silent (ruined for life)
- Silent (cee’s photography)
- Silent (lazy haze)
- Silent (my paisley life)
- Silent (jennifer shelby)
- Silent (from hiding to blogging)
- Silent (celebres 3.0)
- Weathered (jinan daily photo)
- Weathered (narrow bamboo gate)
- Weathered (emotion depot)
- Weathered (stenoodie)
- Weathered (wooly muses)
- Weathered (this and that)
- Weathered (thin spiral notebook)
- Weathered (leya)
- Weathered (cee’s photos)
- Weathered (animosbones)
- Weathered (domer mom)
- Weathered (a trivial mind at work)
- Weathered (here and there)
- Weathered (guilty treasures)
- Weathered (mittened hands)
- Weathered (emotional notions)
What a fun play! Written by Lauren Gunderson, The Book of Will at the Northlight Theater till December 17th tells the story of how without the effort of his friends, we wouldn’t have an authentic collection of William Shakespeare’s plays. In 1620 after Will had passed on, his friends were fed up with bad Shakespearean plays. Some were bad versions patched up with garbled versions of the plays made from copyists in the audience who tried to take down everything that was said. Some were just plays written by hacks who tried to copy Shakespeare’s style.
The play begins in a pub near The Globe theater where three of Shakespeare’s friends Richard Burbage, John Heminges, Henry Condell, actors from the King’s Men’s troupe and Condell’s daughter Elizabeth bemoan the horrible fakery that passes for Shakespeare. When Burbage dies suddenly they realize the only chance for passing these masterpiece plays down to posterity is to collect and publish a folio. It’s an expensive undertaking that is complicated by the lack of a full set of originals. A few plays are here, another bunch are with a scrivener, most actors only got their part, not the full play so some had to be carefully put together. No respectable printer wanted to touch the project so Heminges and Condell had to settle for a slimy, greedy cheat.
The play is delightful as it weaves memorable passaged of the Bard’s work throughout the story, which is well paced. The characters include Shakespeare’s wife, daughter and mistress, and Heminges’ and Condell’s wives and and so there is some female influence supporting the impossible project. The Northlight’s set and costumes were perfect. I’m tempted to go again.
What’s great about the Northlight is free parking and every seat has a clear view.
Now I want to visit the Newberry Library and see the First Folio in person.
I’m working on a project for a rare books class I took two weeks ago. It’s an annotated bibliography of books on Chicago. I discovered, and promptly bought on Amazon,
Dybwad, G.L., and Bliss, Joy V. Annotated Bibliography: World’s Columbian Exposition, Chicago 1893. Albuquerque, NM, 1992.
Organized by type of item, this bibliography includes a brief history of the 1893 World’s Columbian Exposition (WCE), a fold out map of the WCE and its organization chart. This source includes chapters on fiction, poetry and children’s books, exposition publications, federal publications, guides, periodicals, music, salesmen’s samples, recent books and unpublished unique works. The introduction is written by Dybwad and explains why he started this project.
The entries in this source date from before the fair to 1991.
The bibliographers designed the format and organized the source with a view to ease of use. Abbreviations and citations are clearly explained and the indexes cross-reference items so if users don’t know the author’s name or the title of an item, they can still find it relatively easily. Each entry is concise and provides a brief description of each item. When available, the bibliographers list price information, however, following the Introduction, there’s a note on price stating principles in pricing and reasons for variance. (No doubt since 1992 these prices have changed.)
For books, there is minimal collation* information. This book is a comprehensive source, which would aid researchers and collectors.
(*Collation information describes the paper, binding, etc.)