Chicago

I enjoyed the audio book of David Mamet’s novel Chicago. Narrator Jim Fragione, captures the Chicago dialect and Mamet’s rhythm.

I expected a historical novel about Al Capone or some other well known criminal figure, but that wasn’t what Mamet had in mind. Set in post-WWI Chicago, jaded reporter Mike Hodge love a young Irish girl is viciously murdered and Mike seeks justice. Did her family do it? Or someone more nefarious? Capone, the Levee District and WWI figure prominently in the novel, but Hodge and the life of a reporter in the 1920s takes center stage.

The plot isn’t the book’s strong suit. That would be a tie between the references to Chicago’s red light district and criminal element and Mamet’s trademark philosophizing in a Chicago dialect. That’s what made the audio book soar.

 

Death on the Nile

This coming week my mystery book club was going to meet to discuss Agatha Christie’s Death on the Nile. I listened to the audio book and watched the movie. The audio book’s narrator David Suchet was terrific and brought the story to life.

While on a vacation in Egypt Hercule Poirot, the Belgian detective who’s forever telling people he isn’t French, gets on board a boat and finds his fellow travelers keep getting bumped off. There’s a love triangle consisting of Linnet, a wealthy heiress, Jacqueline her good friend and her Simon new husband, who was in love with the friend. There’s a German doctor, a rich, imperious woman and the young companion who resents her boss. The heiress’ trustee, her London lawyer her maid, and the maid’s married lover round out the cast.

One eerie element to the story is that Jacqueline’s stalking Linnet. Everywhere they go Jacqueline’s there. Ever jumpy, things get worse when Linette is found dead. Poirot soon suspects everyone. Then the bodies start to pile up. The maid is found dead and then a third murder follows. Poirot finds almost everyone has a motive.

With Peter Ustinov, Mia Farrow, David Niven, Angela Lansberry, Bette Davis, Maggie Smith and Olivia Hussey, the film is chock full of stars. Alas, I found the story in both formats lacking. I wasn’t pulled in to the story as Poirot didn’t use much hard evidence. It seemed that his main talent was supposition and conjecture to find possible motives. He doesn’t draw me in the way Sherlock Holmes does. I was left craving a better plot and more complex characters. I felt Christie just took the idea of Murder on the Orient Express and just made a few small changes.