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Monthly Archives: February 2018

Inimitable Jeeves

0023a0b3_mediumI’d heard of P.G. Wodehouse and of his famed character the valet, Jeeves, but I’d never read these novels. Last week, I needed an audio book for what I rightly expected would be long drives in L.A. So I checked out the audio book, The Inimitable Jeeves.

I usually don’t listen to audio books, but in the case of The Inimitable Jeeves, the audio book is the way to go. The narrator Jonathon Cecil does a marvelous job reading with terrific voices for each character whether he speaks Etonian English, Cockney, American and all other accents.

The stories themselves delight. Bertie Wooster, Jeeves’ employer, gets himself into amazingly ridiculous situations. The more he tries to lay low, the more old goofy schoolmates, troublesome cousins or his matchmaking aunt get him tangled up into social seaweed, that only the wise Jeeves can get him out of.

I liked the stories so much, that I played it twice. I’m now off to the library to get another Jeeves book on tape.

Just a few wonderful quotations:

“We Woosters do not lightly forget. At least, we do – some things – appointments, and people’s birthdays, and letters to post, and all that – but not an absolutely bally insult like the above.”

“Warm-hearted! I should think he has to wear asbestos vests!”

“How does he look, Jeeves?”
“Sir?”
“What does Mr Bassington-Bassington look like?”
“It is hardly my place, sir, to criticize the facial peculiarities of your friends.”

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Posted by on February 28, 2018 in book review, British Lit, British literature, classic, fiction, postaweek

 

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Speed the Plow

Another David Mamet play seemed a fitting read as I’m currently taking his MasterClass online. I’d seen Speed the Plow performed  at the Remains Theater in 1987, with William Peterson in the lead.

The play is a satire of show business. Charlie Fox brings a movie deal consisting of a hot star and a blockbuster-type script to his long time buddy, Bobby Gould, who’s career is on fire since he’s gotten a promotion. He’s got till 10 am the next morning to get a producer to agree to make it. So he trusts his pal to make the deal, which will earn them boat-loads of money.

They talk about the business and their careers.  They dream of what they’ll do after this life-changing film is released. In the background a temp secretary bungles along with the phone system. Eventually, she comes into the office and winds up having to read a far-fetched novel as a “courtesy read” meaning she’s to write a summary of a book that’s not going to be adapted to film.

After she leaves the office, the men make a bet, a bet that Bobby Gould, whom Karen is working for, will succeed in seducing her. Karen’s not in on this but she agrees to go to Gould’s house to discuss the book she’s to summarize.

Karen finds the book about the end of the world life-changing. Like many 20-something’s She’s swept up by its message. What’s worse, when she goes to Gould’s house she convinces him to make the crazy book into a film and to leave his pal in the dust. The book and play are brisk and, as you’d expect, contain rapid-fire dialog. I enjoyed this book, but can see how some would find problems with Mamet’s portrayal of women. I think he portrays Hollywood quite realistically.

 
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Posted by on February 11, 2018 in drama, postaweek

 

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